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Monday, 16 April 2012
colva's aeronautical centenary
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Friday, 13 April 2012
30 henry jekyll's partial statement of the case
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112mm x 194mm
hand-sewn booklet with wrappers
14 pages
Henry Jekyll's Full Statement of the Case, chapter 10 of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, is here divided, re-aligned, cropped and re-presented as a fractured and jittery account of his hubristic adventure that nevertheless – thanks entirely to Stevenson's clear and pungent phrasing – still clearly transmits his horrific journey into an irreparably parted self. Aligned to left and right but gapped between, the account is printed as two columns to be read across, though a reading down the columns is also possible. The rather sinister character on the cover of the booklet I found in Home Words for Heart and Hearth – a pious book dating from the same year that Robert Louis Stevenson wrote Strange Case of Dr. Jekyll and Mr. Hyde (1885), filled with prayers, moralising stories and sermons and, best of all, engravings of various church worthies of the day. And a seedy-looking bunch they are too. There was some stiff competition for the cover, but in the end it was Dr. Jackson, the Late Bishop of London, who won out.
Thursday, 12 April 2012
33 disuse is bad for the machine
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january 2012
hand-sewn booklet
124mm x 164mm
10 pages
The nine commandments laid down for the correct usage of 'His Master's Voice' products on a 1920s 78rpm record sleeve, among them: 'Don't wind spring too tightly'; 'Don't interfere with regulator unless an adjustment is necessary'; 'Avoid the slightest injury to the Mica Diaphragm', and – gnomically if now inscrutably – 'Keep leathers which operate on governor friction plate well oiled', have a hectoring quality which stems from the manner of their listing, beginning with Rule Number 1: 'Disuse is bad for the machine'. To me, this implied a proto-Orwellian world (though in time and vision it comes closer to the Moloch Machine and its ceaselessly gaping maw in Fritz Lang's Metropolis), with the suggestion of people as slaves to the requirements of machinery finding ready parallels in our own time. The short texts within, taking their cue from the 'His Master's Voice' commandments, are leashed neither to time nor place, making the writing hard to pin down, though its tone is characterised by a mournful, impotent regret at possibilities lost. The booklet is thin and deliberately cheap-looking, implying scarcity of resources in tawdry, mass-produced times.
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